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	<title>ISH</title>
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		<link>http://www.ish.si/10-03-2010/328/</link>
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		<pubDate>Wed, 10 Mar 2010 09:46:28 +0000</pubDate>
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		<description><![CDATA[INSTITUTUM STUDIORUM HUMANITATIS
FAKULTETA ZA PODIPLOMSKI HUMANISTIČNI ŠTUDIJ, LJUBLJANA
LJUBLJANA GRADUATE SCHOOL OF THE HUMANITIES

invites you to a lecture 
at Media Studies study programme by
Dr. Aleksandra Stanković
Aleksandra Stanković is a PhD graduate at ISH in 2009. She made a field research about the construction of European space in Slovenia. Her PhD thesis is a sublimation of two [...]]]></description>
			<content:encoded><![CDATA[<p align="center"><font color="#800080"><strong><em>I</em>NSTITUTUM <em>S</em>TUDIORUM <em>H</em>UMANITATIS</strong><br />
FAKULTETA ZA PODIPLOMSKI HUMANISTIČNI ŠTUDIJ, LJUBLJANA</font><br />
<font color="#000000">LJUBLJANA GRADUATE SCHOOL OF THE HUMANITIES<br />
</font></p>
<p align="center"><font color="#000000">invites you to a lecture </font><br />
<font color="#000000">at Media Studies study programme by</font></p>
<p align="center"><font color="#000000"><font color="#800080"><strong>Dr. Aleksandra Stanković</strong></font></font></p>
<p align="center"><em><font color="#000000">Aleksandra Stanković is a PhD graduate at ISH in 2009. She made a field research about the construction of European space in Slovenia. Her PhD thesis is a sublimation of two of her research and study interests: media and European integration.</font><br />
</em></p>
<p><font color="#000000"><br />
</font></p>
<p align="center"><font color="#000000">Lecture in English language will be on </font></p>
<p align="center"><font color="#000000"><strong>Wednesday March 17, 2010 </strong></font><strong><br />
<font color="#000000">from 16.30 to 18.00 Hours at ISH, Knafljev prehod 11, Ljubljana </font></strong></p>
<p align="center">&nbsp;</p>
<p align="center"><strong><font color="#800080">Evropska identiteta in mediji<br />
</font><font color="#800080">European Identity and Media</font></strong></p>
<p align="center">&nbsp;</p>
<p align="justify"><em><font color="#000000">Identity has big potential for diagnosis of its own time and it is not only a problem of each single subject, but a problem of a Subject as universal category. Identity is a quality of a subject. Identification goes with figures and patterns, with which in reality we never come in contact, but only by media intervention. Subject is derailed out from its stable position; media constantly suggest identity and its changes. Modern societies are offering different possibilities to people; mobility stimulates and accelerates de-traditionalisation, connects different groups and levels and with it opens pluralism of identity and possibility for European identity existence. Construction of European identity is possible today and conditions for that construction exist. Strengthening of the European identity is solving the problems that are obsessing united Europe, such as lack of legitimacy, democracy, affiliation. </font><br />
<font color="#000000">European identity is usually seen as collective identity, its individual dimensions cannot be neglected. Regarding the long tradition of individualism in Europe, we bravely claming that individual dimension of European identity is attractive for citizens.</font><br />
<font color="#000000">EU depends on media, and individuals depend on EU community and media. Media have the possibility to expand mediatiased community. Actually, media now present borders for any identity formation including European.</font><br />
<font color="#000000">During that process media can be excellent instrument for internal European convergence and necessary condition for that is the free flow of information over the borders, what is at the same time also condition for cultural integration. That is opportunity, but risk also exists.</font><br />
<font color="#000000">Media space is space that represents potential for construction of European identity. During the construction of European identity media do not have to talk affirmative about EU and Europe, important is only the fact that they are dealing with this issue.</font></em></p>
<p align="justify">&nbsp;</p>
<p align="center"><font color="#000000">Kindly invited!</font></p>
<p align="center">&nbsp;</p>
<p align="center">_______________________________________________________________________</p>
<p align="justify">&nbsp;</p>
<p align="center"><font color="#800080"><strong><em>I</em>NSTITUTUM <em>S</em>TUDIORUM<em> H</em>UMANITATIS</strong><br />
FAKULTETA ZA PODIPLOMSKI HUMANISTIČNI ŠTUDIJ, LJUBLJANA</font><br />
<font color="#000000">LJUBLJANA GRADUATE SCHOOL OF THE HUMANITIES</font></p>
<p align="center"><font color="#000000">Vas vabi na predavanje na Medijskih študijih, ki ga bo imela<br />
invites you to a lecture at Media Studies study programme by</font></p>
<p align="center">&nbsp;</p>
<p align="center"><font color="#000000"><strong><font color="#800080">Prof. dr. Saša Vojković</font></strong><br />
</font></p>
<p align="justify"><font color="#000000"><br />
Saša Vojković je izredna profesorica filmskih in medijskih študijev na oddelku za kulturne študije Filozofske fakultete Univerze na Reki. Bila je prejemnica “<em>ASCA PhD Fellowship (Amsterdam School for Cultural Analysis, Theory and Interpretation)</em>” – ugledne štipendije, ki jo podeljuje “<em>Faculty of Letters</em>” Amsterdamske Univerze. Bila je tudi dobitnica YK Pao triletnega podoktorskega predavateljskega angažmaja na oddelku za humanistiko na Univerzi znanosti in tehnologije v Hong Kongu. Med njenimi številnimi publikacijami omenimo dve knjigi: (2009)<em> Yuen Woo Ping’s Wing Chun. Hong Kong: Hong Kong University Press</em> in (2008)<em> Filmski medij kao transkulturalni spektakl: Hollywood, Europa, Azija. Zagreb: Hrvatski filmski savez.</em></font></p>
<p><font color="#000000"><font color="#808080">Saša Vojković is associate professor of film and media at the Department of Cultural Studies, Faculty of Philosophy, University of Rijeka. She was the recipient of the ASCA PhD Fellowship (Amsterdam School for Cultural Analysis, Theory and Interpretation) awarded by the Faculty of Letters, University of Amsterdam. She also won a YK Pao three-year postdoctoral teaching fellowship awarded by the Department of Humanities, at the Hong Kong University of Science and Technology.</font><br />
</font></p>
<p align="center"><font color="#000000">Predavanje v angleškem jeziku bo v sredo, 24. marca ob 16:30 uri na</font><br />
<font color="#808080">Lecture in English language will be on Wednesday March 24, 2010<br />
</font><font color="#000000"><font color="#808080">from 16.30 to 18.00 Hours at</font> ISH, Knafljev prehod 11, Ljubljana </font></p>
<p align="center">&nbsp;</p>
<p align="center"><strong><font color="#800080">Zakon očeta in Tarantinov transkulturalni imaginarij<br />
</font><em><font color="#800080">The Law of the Father and Tarantino’s Transcultural Imaginary</font></em></strong></p>
<p align="justify">&nbsp;</p>
<p align="justify">&nbsp;</p>
<p align="justify"><font color="#000000">V predavanju bo govora o lacanovski teoriji filma v nanosu na filma Quentina Tarantina Kill Bill 1 in 2. Predavateljica bo razložila zakaj je potrebna nova konceptualizacija  Lacanove označevalnega zakona Judith Butler za raziskovanje Tarantinovega transkulturalnega univerzuma. V središču predavanja bo reprezentacija ženskosti v fikcijskem svetu, kjer tradicionalni lacanovski zakon očeta ne zdrži več.</font></p>
<p align="justify">&nbsp;</p>
<p align="justify"><font color="#000000"><font color="#808080">In the lecture she will discuss Lacanian film theory as applied to Quentin Tarantino’s Kill Bill volume 1 and 2 and explain why Judith Butler’s reconceptualization of Lacan’s law of signification is a necessary precondition for an examination of Tarantino’s transcultural universe. The central concern is representation of femininity in a fictional world where the traditional Lacanian Law-of-the-Father does not hold.</font></font></p>
<p align="justify">&nbsp;</p>
<p align="justify"><font color="#000000"><font color="#808080">What enables the main female character Beatrix Kiddo to execute her revengeful deeds are the fighting techniques and strategies that come from the Far East. In that sense the film’s fabula draws its logic from the transcultural imaginary, implying first of all, that Beatrix Kiddo as a character would be unthinkable without her Eastern mentors. By the same token, via this female character the traditional martial arts master from the Hong Kong imaginary acquires a prominent function in the contemporary Hollywood’s universe. This is not only the case of a postmodernist homage or recycling, as a si fu who discloses secret knowledge to the main female character, or rather the technique that will place her on top of Bill’s universe (enabling her to become the highest authority), the monk Pai Mei has a formative function in both, the film’s narrative structure, and its symbolic universe.</font></font></p>
<p align="center"><font color="#000000">Vljudno vabljeni! </font><br />
<font color="#000000">Kindly invited!</font></p>
<p align="justify"><font color="#000000"> </font></p>
<p><font color="#000000"><br />
</font></p>
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